First look: Gabriel Dawe’s stunning new thread art in Italy.
Gabriel Dawe created Plexis no. 19, a stunning thread installation thats beautifully spread across two balconies in the atrium of a historic villa. The early 19th century neoclassic house, called Villa Olmo, was acquired in 1924 by the municipality of Como and is now open to the public only during cultural events and art exhibitions like this.
Plexus no. 19 consists of two thread structures streamed across an upper and lower balcony that is meant to be experienced from different angles or at different times of the day. As Dawe tells us, “When the sun comes in during the morning, it is fantastic. Having those window-shaped light beams add a dimension to the installation. I always like when I get direct sunshine on them because it emphasizes the layering of the thread in very interesting ways.”
With two assistants, he constructed this installation in about a week. His greatest challenge was working to the confines of the space. “Because of the historic nature of the building, I wasn’t able to touch ceiling, walls or floors to screw in my structures,” he says. “So I resorted to fixing them to the railings, which in great measure restricted what I was able to do. In the end, it worked out pretty well; it really exceeded my expectations how well the installation inhabits the space.”
Via My Modern Met.
It took me quite some time find any information about this image. I found it initially on Traditional Doom, but thank to Google Image Search I figured out that this Venus de Milo was photographed in Jean Paul Gaultier his studio. And now I’m at a dead end. Does anyone know if this is custom installation at Gaultiers studio or does anyone know the artist? Thanks for any hints. Thanks to commenters for pointing out that it’s an installation by Studio Makkink & Bey.
(BTW, seriously Tumblr, get your act together, you’re obfuscating the internet.)
The Cartoon Issue, out this week, had me thinking of photography with a funny side. The Swedish photographer Lars Tunbjörk, known for his deadpan portraits of office spaces and suburban lifestyles, came to mind. I spoke with Tunbjörk about his current show, at the Amador Gallery, and how some of his more comical images came together: “Especially in my older work, I was looking for strange, absurd situations, going on endless tours to festivals, campgrounds, and shopping centers. If I found an interesting place, I could stand there for hours, waiting. I often get asked if my pictures are staged. They are not, but I always try to be very visible as a photographer, and I don’t know how much I influence a situation, just by having a camera.”
Tunbjörk’s show, which is up through November 19th, includes work from three different series: “Country Beside Itself,” “Home,” and “Office.” Here’s a peek.
I thought Jerry Webman, the chief economist at Oppenheimer Funds, captured the essence of finance nicely and simply in his op/ed in the FT the other day:
At its core, finance is about linking people with savings to those that can put them to productive use. Performed correctly, it can fund retirement accounts, foster growth in emerging markets and support the technology companies that help protesters assemble in a flash. A well-functioning financial system is critical for economic growth. Investments that support worthwhile projects can build the human and physical capital that generates growth and raises standards of living around the world.
I've been negative on the finance industry and bankers in a couple recent tweets, quoting Nassim Taleb and Michael Lewis. It's good to go back to the basics, as Webman does, and be reminded of what finance is really about--when it functions correctly.
#
Not to be negative again on banks -- just when we were being positive! -- but a point about those Goldman Sachs / Citibank magazine advertisements and pre-roll online video commercials that talk about how Goldman/Citi help communities flourish, how they empower small business owners, etc. They've been in heavy rotation ever since the '08 crisis. And they are stylistically just like the Exxon and Shell Oil commercials that claim that oil companies are leading the way in finding renewable energy.
Photographs and text by Olya Ivanova
In these portraits I tried to convey the complexity of adolescent identity and hign intense feeling that adults will never be able to feel again. Both emotionally and physically these people feel like aliens, strangers, freaks. They like to change their appearance the more often the better as they want to escape from themselves, hide their real face. So at some point it becomes difficult to understand what they actually are. They practice in transgender, homosexuality, body modifications, pierce and cuting themselves. They prefer to use nicknames and to live in some kind of parallel reality, an intermediate area, which is alien to the geographical divisions and political laws, which is not part of any absolute reality or deliberately invented fiction, but is created by its own rituals and rules of behavior, where the boundary between good and evil, joy and sadness, innocence and perversity, real and unreal, as well as reality and fiction becomes very vague.
Related posts:
Let's be real, ladies — you probably strip off your Proenza blouse and too-tight jeans, and slip into your hoodies, as fast as you can, the end of the work day. It's okay — we do, too! There's nothing more comfortable than wrapping yourself up, burrito-style, in your softest sweats... but, unfortunately, there's nothing more lazy-looking either. Thankfully, hoods on ponchos, jackets, and sweaters were a fairly prominent trend on the fall runways, and lend themselves perfectly to this sort-of-chilly L.A. fall. With these stylish hoodies, you can keep on being your stylishly bad self, but also indulge in a little bit of comfy TLC.
Photo: Via J.Crew
It's easy to hate Wall Street. In movies, bankers are portrayed as heartless, greed-driven jerks. Some people blame the recent financial crisis and the recession that followed on Wall Street duping Americans into signing up for predatory mortgages. Others say that these rich bankers, traders, and investors don't pay enough money in taxes. These and other anti-Wall Street attitudes have led to a protest in Lower Manhattan that continues to grow. But for a variety of reasons, it isn't likely to accomplish anything.
Its Goals Are Unclear
Any protest that hopes to accomplish some goal needs, well, a goal. If a demonstration like this lacks concrete objectives, then its purpose will be limited at best and nonexistent at worst. At this time, all the protest really appears to stand for is a general dislike of Wall Street. But what does that mean?
Wall Street Doesn't Care
There's a key difference between the Occupy Wall Street movement and the Tea Party movement. The Tea Partiers' anger is directed squarely at the U.S. government. It began due to dismay at the bailouts and the massive Obama stimulus package. The Tea Party wanted less government interference in the economy.
But the Occupy Wall Street movement's anger is directed at bankers. Here's the problem: they really don't care. These protesters are not Wall Street's customers. In many cases they aren't even their customers' customers.
Over the weekend, I saw a YouTube video of some Wall Streeters sipping champagne as they watched the protests from a balcony above. This is an extreme example, but such bankers who fit the stereotype that the protesters hate obviously aren't moved by the demonstration. In reality, the vast, vast majority of bankers, traders, and investors aren't out to rob the poor to feed caviar to the rich. They are doing honest work that holds together the global financial industry. That large majority of Wall Streeters will walk by the protesters and shake their heads at the crowds' misunderstanding of what they do.
The Protesters Can't Sway Congress
The Tea Party accomplished something very key: it helped to significantly alter the makeup of Congress through the 2010 election. It had a goal -- to put out of power the big government candidates -- and it accomplished that goal. The Occupy Wall Street cannot hope for any result as significant.
As mentioned, it doesn't have a clear set of objectives. But let's say, for argument's sake, that it has some general fringe-left goals. Some that have been suggested include new taxes on Wall Street and much stronger financial regulation. The problem is that these views aren't likely to catch on in Congress: even when the mix was much further to the left in 2009 through 2010, a relatively mild financial regulation bill was passed and even the Bush tax cuts remained intact.
The reality is that the U.S. is a center-right nation, and Congress reflects that. While some cities are farther to the left than others, they already have very progressive representatives. Meanwhile, the message of Occupy Wall Street isn't likely to catch on and affect any change in more center-right regions like the Tea Party did.
Their Timing Is Off
Even if the U.S. were to embrace the message of these protests, Congress would not act. The bailouts were hugely unpopular with voters, but they occurred anyway. That's because there are times when Washington just needs to be practical. When unemployment is stuck above 9% is such a time.
Enacting new financial transaction taxes or even more burdensome regulation will not be good for the economy in the short-run. Even many Democrats are worried that such aggressive actions threaten the recovery. That's the main reason why the Bush tax cuts were extended. As the banking industry remains fragile, the government isn't likely to wallop it with new fees, taxes, or regulation just because a few thousand protesters in Lower Manhattan are making some noise. The last thing we need is another financial crisis.
Banking is a Vital Institution -- Especially to the U.S.
Hating banks is counterproductive. You simply can't live without banks in a modern, sophisticated economy. Wall Street investment firms are equally essential. Capital markets and debt markets allow businesses to function smoothly. Without them, growth and progress would be much slower.
But the U.S., in particular, needs to maintain its healthy, vibrant banking system. During the financial regulation battle least year, a lawyer I know who works with banks and investors lamented the effort. He worried that Congress would go to far. Banking is one of the few industries the U.S. has left where we're a global leader, he said. He is absolutely right.
Finance is one of the few sectors where Americans can still find good-paying jobs at all levels. It's also responsible for a very significant portion of U.S. GDP. If Congress were to create burdensome new rules or taxes for the industry here, then the business would just move somewhere else. It could easily do so: there's nothing about finance that requires it to have a major presence in the U.S. Congress knows better than to risk the U.S. losing its competitive edge in such an important sector.
For all of these reasons, we aren't likely to see the Occupy Wall Street effort accomplish much. It doesn't have a clear focus, and practical realities will prevent it from achieving any vague objectives it might have. Those angry with Wall Street should seek more effective means of affecting change than this.
Last weekend the annual Surf City Surf Dog Competition took place at Huntington Dog Beach in Huntington Beach, CA.
See Previously: Surfing Dogs Catching Waves In Southern California
via The Orange County Register
photo via The Orange County Register
Photographs from The Writing of Stones by Roger Caillois (1970) "Who knows whether this tumult of triangles inscribed in stone, first brought about by nature and then by art, does not contain one of the secret cyphers of the universe? "I see the origin of the irresistible attraction of metaphor and analogy, the explanation of our strange and permanent need to find similarities in things. I can scarcely refrain from suspecting some ancient, diffused magnetism; a call from the center of things; a dim, almost lost memory, or perhaps a presentiment, pointless in so puny a being, of a universal syntax." —From The Writing of Stones (the post title is also from the book) More images and an excerpt on 50 Watts Will 50 Watts
Shared by jdNew paintings by Carly Waito Title: Baudrillard Previous Carly Waito feature Further reading: Carly Waito interview Folkert
These are incredible paintings.
Posters by homework aka Joanna Gorska & Jerzy Skakun Previously: November 2009 feature on 50 Watts Will 50 Watts
Painting by Félix Labisse Title: Yves Tanguy Folkert
Shared by jd
New work from my favorite photographer. How exciting.